没有和解
影片信息
- 状态：HD
- 主演：Heinrich Hargesheimer,Carlheinz Hargesheimer,Martha Staendner,达尼埃尔·于伊耶,Henning Harmssen,Ulrich Hopmann,Joachim Weiler,Eva-Maria Bold,Hiltraud Wegener,Ulrich von Thüna,Ernst Kutzinski,Karl Bodenschatz,Heiner Braun,Georg Zander,Lutz Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔
- 导演：让-马里·斯特劳布,达尼埃尔·于伊耶
- 年份：1965
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-04-17 22:02
- 豆瓣评分：9.0 分
- 简介： The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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剧情简介
没有和解是由让-马里·斯特劳布,达尼埃尔·于伊耶导演的剧情片。领携主演：让-马里·斯特劳布,达尼埃尔·于伊耶
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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评论
共 881 条评论-
木石 117.17.123.254可怕的不是丧尸，是人性。有太多的话想说，只希望世界和平。 -
谁家仓鼠 66.94.23.55好看，每个人都在尽力地诠释着自己的角色。 -
名字好麻烦 194.46.95.222剧情还不错，但是在一些细节上还是不太清楚，但是还是很不错的。值得一看不像国产的一样唉！国产加油 -
布鲁斯李 67.130.217.207对于韩国演员一个不认识，对于这不电影来评价挺好看。不过就是不知道你们的韩国欧巴会不会对你们的评价露出鄙夷的表情！！只是一部挺好的电影，至于让你们对自己的国家民族产生这么大的质疑，甚至是深恶痛绝得谩骂，侮辱和鄙视么？这只是一部电影！ -
雨潇潇 58.243.0.191敢于揭露人性深处的阴暗