莱奥诺拉的告别
影片信息
- 状态：HD
- 主演：娜塔丽·拉布蒂·戈麦斯,马西莫·波波利齐奥,法比齐奥·费拉卡尼
- 导演：保罗·塔维亚尼
- 年份：2022
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-04-21 16:36
- 豆瓣评分：3.0 分
- 简介： Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
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剧情简介
莱奥诺拉的告别是由保罗·塔维亚尼导演的剧情片。领携主演：保罗·塔维亚尼
Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
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评论
共 944 条评论-
十榆 248.173.191.49大圣一周年啦，惊闻大圣被一条莫名其妙内里腐烂的红豚鱼踩，特地来补个评分。大圣才是近年来国动的希望，有没有认真做动画，观众又不是傻，大脑是个好东西，有脑子的人自然懂，跳水鱼不配跟大圣相提并论。 -
牧云的姑娘 140.180.155.18很有诚意的国产之作，以新的故事演绎传统经典，场景美，大圣帅，猪头逗，有笑点亦有让人觉得暖暖的微泪点。只是觉得结尾有些仓促，略有头重脚轻之感。 -
在风中凌乱的猪 108.71.68.233国漫良心 值得一看！ -
糍饭糕 248.128.73.43观影关键词：脸长，童自荣，帮汪峰上头条，公仔，ED。没有网传的那么好，但制作上来看还是可圈可点的 -
路上行人 73.30.129.212至今为止看过最过瘾的动画电影，并不是夸大其词，不信你可以去看。支持国产动画！！